I’m often asked which of the paintings in GREEN is my favorite.

I really love this question and after lots of thought, I’d have to say that the “all green” spread is my favorite because it’s the only place in the book where the die-cut holes actually disappear.

In order to achieve this, it means that what is seen through the holes on this spread is at once part of the art on this painting, and part of the art on the paintings before and after this painting, as well.

And what THAT means is that, in effect, different paintings share identical portions making them truly part of one another.